Lorenzo Fernández’s Exploration of Myth and Reality at Galerie Taménaga in Ginza
Spanish contemporary realist breathes new life into classic legends
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Galerie Taménaga in Tokyo is setting the stage for an exhibition that promises to be as thought-provoking as it is visually stunning. Spanish artist Lorenzo Fernández, born in 1970, returns to Tokyo for his first solo show in four years. Running from March 22 to April 20, 2025, this exhibition brings together approximately 40 meticulously crafted works that challenge the viewer’s perception of space and narrative. Fernández is renowned for his hyperrealistic portrayals in compositions that, at first glance, seem to capture reality in all its photographic detail, yet upon closer inspection, reveal a play of perspectives and symbolic layers.
Fernández began his artistic journey at the early age of 14, immersing himself in the traditional Spanish Baroque painting techniques. Over time, his work evolved into a distinctive visual language that blends classical methods with contemporary vision. This balance of old and new is most evident in his latest pieces, where he reinterprets Greek mythology through a modern lens. The exhibition is a showcase not only of technical mastery but also of an inventive approach to storytelling, where myth and modern life converge to spark conversation and introspection.
A Modern Take on Ancient Narratives
The core of Fernández’s new series lies in its engagement with Greek mythology. In a playful yet meticulous manner, he weaves together symbols from antiquity and today’s cultural landscape. For example, in one standout work titled Miedo al abandono / El minotauro (Fear of Abandonment, The Minotaur), the artist cleverly uses unexpected objects—a toy bull and a small gorilla—to evoke the legendary creature of ancient lore. This work, set against a backdrop that hints at classical beauty through its photographic quality, invites viewers to consider themes of isolation, transformation, and the inherent tension between tradition and innovation.
Beyond the immediate impact of its imagery, Fernández’s art resonates on a deeper narrative level. By incorporating elements like shells that represent the ever-changing sea and strands of yarn that serve as a metaphor for Theseus’s guiding thread, the artist opens a dialogue between the old and the new. This conversation is subtle yet powerful, reminding us that the stories of antiquity still have something to say in today’s world. His approach is not about replicating history but rather reinterpreting it, showing that even timeworn legends can be given a fresh, contemporary twist.
A Career Marked by International Acclaim
Fernández’s impressive career spans several decades and continents. After his first solo exhibition in Paris back in 2006, he quickly established an international reputation. His works have been featured in major art fairs and have found their way into the collections of renowned museums and foundations across Spain and even as far as Japan. Galerie Taménaga Tokyo, which has been a prominent figure in the Japanese art scene since its founding in 1969, is proud to host this latest presentation of Fernández’s work.
The gallery’s history as a pioneer in showcasing Impressionist, Modern, and Contemporary art makes it the perfect venue for an exhibition that bridges classical traditions with forward-thinking aesthetics. In addition to hosting internationally acclaimed artists, the gallery has always aimed to introduce fresh perspectives to both local and international audiences. This new exhibition not only underscores the gallery’s commitment to innovative art but also provides a platform for the evolving global contemporary art.
A Unique Narrative: Greek Mythology Reimagined
The influence of Greek mythology is a recurring theme throughout the exhibition. In several works, Fernández draws upon iconic narratives to question and reinterpret ideas of heroism, beauty, and mortality. One particularly compelling piece features a reimagining of the iconic actress Hedy Lamarr. Here, Lamarr is transformed into a modern Venus, a symbol of both beauty and intellectual prowess. Accompanied by a sculpted dog that hints at themes of loyalty and fidelity, and a robotic head that signifies the strides of contemporary technology, the work blurs the lines between past and future.
This layered approach is a deliberate narrative strategy. By juxtaposing elements from different eras, Fernández creates a dynamic visual dialogue. His works encourage the audience to question the rigid boundaries of time and identity, urging a reconsideration of how ancient myths can inform and enhance our understanding of modern life.
Galerie Taménaga Tokyo: A Hub for Cultural Exchange
Located in Ginza, Galerie Taménaga Tokyo has long been synonymous with cultural innovation and artistic excellence. With branches in Paris, Osaka, and most recently Kyoto, the gallery has established itself as a key player in fostering international dialogue through art. Its commitment to showcasing both emerging and established artists has helped shape Japan’s vibrant contemporary art scene.
The upcoming exhibition is an ideal example of this cultural exchange. By presenting the work of a Spanish artist whose narrative technique resonates with a global audience, the gallery reinforces its role as a bridge between cultures. Visitors can expect an immersive experience that highlights the technical brilliance of Fernández’s art while also encouraging them to engage with themes that cross national and temporal borders.
Galerie Taménaga Tokyo presents: Lorenzo Fernández
22 March 2025 – 20 April 2025
Opening reception in the presence of the artist: March 22 (Sat) 4:00PM – 6:00PM
 Access |
5 minutes walking from Ginza Station |
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 Business Hours |
Monday – Saturday: 11:00 AM–7:00 PM / Sunday & Holidays: 11:00AM – 5:00PM |
 Official Website |
https://www.tamenaga.com/en/exhibition/6029/ |
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Written by
Photographer, journalist, and avid urban cyclist, making sense of Japan since 2017. I was born in Caracas and lived for 14 years in Barcelona before moving to Tokyo. Currently working towards my goal of visiting every prefecture in Japan, I hope to share with readers the everlasting joy of discovery and the neverending urge to keep exploring.
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